Brochure uitgegeven in 196 door het Nederlads Filmmuseum, tgv de Nederlandse premiere van 10 films van Yoji Kuri.21pp, ill. in goede staat

Uitg. Uniepers, tgv Filmfestival rotterdam, 1991,  paperback, 82pp, over de films van Suzuki Seijun, met filmografie. in nederlands en engels, als nieuw

Tentoonstellings catalogus van Museums der Volkenkunde, Wenen, 197720pp,+ 8 zw/w afb. in zeer goede staat.

Uitg. Uniepers, tgv Filmfestival rotterdam, 1991,  paperback, 82pp, over de films van Kawashima & Mori, met filmografie. in nederlands en engels, als nieuw

Duke Univ Pr 01/1//, 2000. Paperback, New Book from USA.

Kurosawa, een uitgave van het Kijkhuis in Den Haag,

Kijkschrift nr.22 tgv het Kurusawa filmfestival.

samen met het supplement.

Univ of California Press, London, 1984. hardbound,no dj. Book Condition: G+. 1965 1st ed.218pp, . Large Square 8vo. fascinating book, illustrated throughout with b/w photographs.(owner's name)

California: University Of California Press, 1998  Softcover. First Edition. First Printing. 314 pages. As New. Definitive critical study in English of the Japanese filmmaker's work. Published in a small and limited print run as a paperback original by a University Press. "This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and political tensions of postwar Japan. Best-known today for his controversial films 'In the Realm of the Senses' and 'The Empire of Passion', Oshima engages issues of sexuality and power, domination and identity, which Maureen Turim explores in relation to psychoanalytic and postmodern theory. The films' complex representation of women in Japanese society receives detailed and careful scrutiny, as does their political engagement with the Japanese student movement, postwar anti-American sentiments and critiques of Stalinist tendencies of the Left. Turim also considers Oshima's surprising comedies, his experimentation with Brechtian and avant-garde theatricality as well as reflexive textuality and his essayist documentaries in this look at an artist's vital attempt to put his will on film"